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Tadao Ando

(

)

by Tadao Ando

--v 6.1

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--v 6

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--v 5.2

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--v 5.1

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--v 5

ⓘ Prompt used to produce this style sample in Midjourney AI

Tadao Ando

--v 4

Tadao Ando

--v 4

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--v 3

ⓘ Prompt used to produce this style sample in Midjourney AI

by Tadao Ando

--niji

ⓘ Prompt used to produce this style sample in Midjourney AI

Midjourney version:

Style features:

Urban

Subdued

Optimal prompt:

About:

Tadao Ando

–

Source ↗︎

Learn more about General Modifiers in our introductory Guide→

Style descriptors:

Urban, Subdued

Related artists:

/continue exploring:

/explore

similar styles

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All samples are produced by Midlibrary team using Midjourney AI (if not stated otherwise). Naturally, they are not representative of real artists' works/real-world prototypes.

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Ver. 2.9.1
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Midlibrary by

Hikari Shimoda

All content in the Midlibrary catalog is generated by the Midlibrary team using Midjourney AI. We do not feature real artists' images, artworks, or any copyrighted material in our catalog. The samples provided by Midlibrary are intended for educational and illustrative purposes only and are not representative of real artists' works or real-world prototypes. Midlibrary is a non-profit initiative, not affiliated with real artists or authors, aiming to educate and inspire through the demonstration of the technology's potential in creative explorations.

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Suggest your prompt for

Tadao Ando

Midjourney style

Prompt example:

exotic bird with intricate feathers in style of

Tadao Ando

--stylize 175 --v 5.1 --style raw

Thank you!

Your prompt has been sent to our reviewers. If our team greenlights your suggestion, it will appear on the style page.

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